This writing is a set of thoughts provoked by the challenge of living in semi-captivity while having a need to practice a live art. Such circumstances require us not to be aseptic, but to keep coping with dirtiness, which is an integral part of performing our...
Abramović, Belgrade, I I am writing in my Ljubljana home-prison which is perverted into my temporary oasis. Be it meaningfully or not, I have watched Homecoming, the film about Marina Abramović’s comeback to Belgrade, in the middle of researching films and videos...
Esej je objavio Treći program Hrvatskoga radija 23.11.2020. ………………… Po motivima tekstova Yuvala Noaha Hararija: 2020. Koncept i režija: Ivica Buljan. Koprodukcija: Drama Ljubljana, MGL, Cankarjev dom. CD, Gallusova dvorana, repriza, 19.9.2020., drugo gledanje....
Nekdo si je upal razkriti javno skrivnost: (post)dramsko gledališče je dolgočasno. Florence Dupont je prav to storila v knjigi, izdani leta 2007. Zapis, ki ga berete, je skupek asociacij, ki jih sproža to spektakularno razkritje; spektakularno ne le zaradi svoje...
It is impossible to “stay at home” and practice performance art, make a happening or take part in it. Live art can only be situated in an analog public context, it cannot be transmitted or virtualized without loosing its crucial sensible aspect. It is impossible to...
Navdih za esej: postavitev Obzorniške fronte (Nika Autor, Meta Krese, Andreja Hribernik, Andrej Šprah, Nace Zavrl in Les Films de Jeudi) na 9. trienalu sodobne umetnosti U3 (Moderna galerija, Ljubljana, 11. 10. 2019), ki je sestavljena iz: videov Slon Tango in Prime...
